I’ve been to the movies. I was sober. I have not made notes, but have CONCLUSIONS. I will generously share them with you.
As usual with the SF, Daybreakers is deeply submerged in the subconscious, mythical, ancient way of thinking. It is really a modern fable. Let’s see what meanings can I get out of this entertainment, to see what understanding of the reality is available to people on the everyday, effortless level.
There is a high culture level of art, like Bertolucci, and on that level the matters of great importance are addressed with great skill and respect. I will think about the more common experience for the rest of us.
What do we have in the movie: vampires, the powerful subconscious symbol, but a little different that in the Interview with the Vampire. Those vampires, dead, cold, without pulse – are living in a very metropolitan world, just like many people do in great cities. They hold jobs. They build houses, they drive cars. The whole world is theirs.
I take it as a hint that those creatures are representing the condition of people in the real world: we are dead. The writer had used important symbols to explain this death – there is no heart beat, no warmth, the eyes are ravenous. The meta-quality of those creatures is that they can’t stand light, it burns them to ash.
It’s easy to explain what does it mean if a person has no beating heart – they are emotionally impaired, unable to have the normal life of a human. They are cold-blooded, that is usually what we say of cruel people. They are ravenous and they prey on humans: this indicates that people in cities are abusive towards one another. Moreover, this abuse comes out of the hunger that they have, the want to take somebody else’s life, emotions, strength. This want is not possible to be sated. Once somebody dies emotionally, they will still crave the warmth that they no longer have.
The curious thing is how this death spell is cured. It’s the sun that they so fear, applied reasonably. Ed the Vampire submits himself to a sunning procedure, and gains his salvation. Other vampires are submitted to sunning, shackled, and they die. The first is penance, the second is punishment.
Curious, huh? How the modern filmmakers use the old concepts and illustrate them. Does it mean that we want to watch the fables, and something in us is responding to the humanity’s original culture?
I hope so.